NAMo
Natali Aguirre Montaña


Art+Design
Projects ++
  1. Portal to Jaguarity
  2. Cosmic Implications of Food from Abya Yala
  3. Wet Matter
  4. The Dust under the bed
  5. Don’t call me water, call me Teresa
  6. The Real and the Magical
  7. Rethinking Conquest: And Anti-Amazon Conversation
  8. Tracing the 735-kilometres
  9. Kitchen Series

    Explorations++
    1. Mycelium+Corn

    Architecture+SpatialDesign
    Spatial Design++
    1. Soils’ Exhibition
    2. DAE Final Exam
    3. ALTA Pasticceria
    4. PitStop Cafe & Pub 
    5. Bakery Kiosk
    6. Enseres Showroom

    Architecture ++
    1. SER Sustanible Living
    2. La Esperanza Home
    3. El Volador Home
    4. Otás Home
    5. Santa Marta Home
    6. CADN Childhood Center
    7. Gibraltar Velodrome


    CV++
    Portfolio++


    Info++
    Natali Aguirre Montaña is a Rotterdam-based designer and artist working across disciplines. With a background in architecture, spatial design, and interior design, her interdisciplinary practice bridges research, decolonial and feminist theory, and material exploration. Trained in Contextual Design at Design Academy Eindhoven, her work ranges from tufting to bioplastics, from ceramics to photography, and from textiles to spatial installations.

    Her work has been exhibited at the Van Abbemuseum with her project Portal to Jaguarity (2024), and at Vienna Design Week in the collaborative exhibition Don’t Move the Fountain (2024).

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    9. Kitchen Series




                    From Re-decostructing a fragmented memory of domestic objects

    This series of acrylic paintings on canvas is a memory exercise dedicated to the objects that embody the Colombian domestic space.

    The aluminum chocolatera used to make hot chocolate, the wooden molinillo (a multi-purpose whisk), the oddly patterned tiles in a grandmother’s kitchen, or the steel grill where arepas are cooked.

    These are all part of a familiar domestic landscape. And yet, in their very typicity, they are often stored away, excluded, or hidden. Even in the kitchen, there is an aesthetic privilege in what is displayed: coffee pots, teapots, cups. In contrast, objects made of humble materials like iron or aluminum, used daily in many households, carrying intergenerational stories, with forms that are intriguing and beautiful, are excluded from their aesthetic potential.

    In these paintings, the object is reimagined: its pieces decomposed and recomposed in new ways, studied for its organicity and geometry, and brought into the present moment, a suspension of imaginary time that seeks to recover memory.

    ...

    (Series in progress)